My Friends

Marcus Kliewer

Follow the Rites... Nothing less than the survival of humanity is at stake. From Marcus Kliewer, a new 'titan of the macabre and unsettling' (Erin A. Craig, #1 New York Times bestselling author), comes a supernatural horror about a young woman who accepts a caretaking job from Craigslist, only to discover the position has consequences far greater--and more dangerous--than she...

Josh Silver

'This is an incredible book ... tough and raw and merciless but funny and kind at the same time.' Russell T. Davies, writer of It's a Sin A BBC must-read book of 2026 - 'Sharp, dark and humorous, it's a real nailbiter.' Anyone can write a bestseller. Here's how. GO GAY It's been seven years since Mallory shot to fame as a literary sensation. But after years of struggling with w...

Josh Silver

'Fruit Fly is savage and darkly hilarious. A pointed satire of publishing with flawed, fascinating characters.' Juno Dawson 'This is an incredible book ... tough and raw and merciless but funny and kind at the same time.' Russell T. Davies, writer of It's a Sin Anyone can write a bestseller. Here's how. GO GAY It's been seven years since Mallory shot to fame as a literary sensa...

Katie Kitamura

**LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2026** **SHORTLISTED FOR THE BOOKER PRIZE 2025** A GUARDIAN, INDEPENDENT and NEW STATESMAN Book of the Year 'Slick, sharp, strange and singular . . . You'll gulp this novel down in one in-breath' SAMANTHA HARVEY, Booker Prize-winning author of Orbital 'A lightning bolt of a novel' FINANCIAL TIMES 'I'm not sure there's anyone be...

Susana Monsó

How animals conceive of death and dying—and what it can teach us about our own relationships with mortalityWhen the opossum feels threatened, she becomes paralyzed. Her body temperature plummets, her breathing and heart rates drop to a minimum, and her glands simulate the smell of a putrefying corpse. Playing Possum explores what the opossum and other creatures can teach us abo...

Mónica Ojeda

The ear is the organ of fear. It is a door to that which is not of this world. Leaving behind the dread and decay of the city, Noa and her best friend, Nicole, travel up into the Andes, headed for Solar Noise: an eight-day festival that takes place in the infinite expanse of the páramo. Nestled on the side of a volcano, it is a world of mysticism, shamanism and underground m...

Hisham Matar

FROM THE PULITZER PRIZE-WINNING AND MAN BOOKER-SHORTLISTED AUTHOR 'Sparkles with brilliant observations on art and architecture, friendship and loss' Guardian 'Everybody should get to spend a month with Mr. Matar, looking at paintings' Zadie Smith, Wall Street Journal, Books of the Year_______________________________________________ Matar was nineteen years old when his father ...

Hisham Matar

LONGLISTED FOR THE BOOKER PRIZE 2024 FINALIST FOR THE NATIONAL BOOK AWARD 2024 WINNER OF THE ORWELL PRIZE FOR POLITICAL FICTION FROM THE PULITZER-PRIZE WINNING AUTHOR OF THE RETURN 'A brilliant novel about innocence and experience, about friendship, family and exile' COLM TOIBIN Khaled and Mustafa meet at university in Edinburgh: two Libyan eighteen-year-olds expecting to ret...

Hisham Matar

A masterful, intensely moving novel about three friends living in political exile and the emotional homeland that deep friendships can provide - from the Booker-shortlisted, Pulitzer prize-winning author of THE RETURN Khaled and Mustafa meet at university in Edinburgh: two Libyan eighteen-year-olds expecting to return home after their studies. In a moment of recklessness and co...

Hisham Matar

WINNER OF THE PULITZER PRIZE IN BIOGRAPHY WINNER OF THE RATHBONES FOLIO PRIZE SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION SHORTLISTED FOR THE COSTA BIOGRAPHY AWARDSHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHYWINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE ONE OF THE NEW YORK TIMES' TOP 10 BOOKS OF 2016 The Return is at once a un...

Hisham Matar

"On a white-hot day in Tripoli, Libya, in the summer of 1979, nine-year-old Suleiman is shopping in the market square with his mother. His father is away on business - except that he is sure he has just seen his father, standing across the street in a pair of dark glasses. But why isn't he waving? And why doesn't he come over when he knows Suleiman's mother is falling apart? Fr...