Fifteen One-Act Plays

K. M. Fajardo

A speculative romance reimagining of The Great Gatsby set in 2075 New York ...

Ayana Gray

I, Medusa is a bold, re-imagining of Medusa's villain origin story and the New York Times bestselling adult debut by Ayana Gray. ...

Helen Comerford

THE END IS BREWING ... Love, lattes, and world-ending drama - life just got a lot less cosy for Lydie, teenage daughter of Death. The cosy romcom/fantasy obsession you didn't know you needed. Come for the cinnamon rolls, stay for the apocalypse. Lydie, the daughter of Death, a retired Rider of the Apocalypse, is obsessed with 'cosy'; cosy books, cosy job in the family café, ...

T. Kingfisher

When forger Slate is convicted of treason, she faces a death sentence. But her unique gift for sniffing out magic (literally) earns her a reprieve--of sorts. Along with a formerly demon-possessed paladin named Caliban, her murderous ex-lover, and an irritating sexist scholar, Slate sets off on a mission to learn about the Clockwork Boys, deadly mechanical soldiers from a neighb...

Rachel Lynn Solomon

The new enemies to lovers and forced proximity rom com from the New York Times bestselling author of What Happens in Amsterdam - available to pre-order now! When a former popstar enrols at college, the last thing she needs is A-plus chemistry with her psychology professor . . . Three-time Grammy award winner Ramona Wilder has spent her youth selling out arenas. Now at age twe...

M. A. Carrick

From the author of The Mask of Mirrors comes a sweeping adventure set in a world where fae secretly walk amongst those who seek to persecute them. In an alternate Spanish Golden Age, the Council of the Sea Beyond has risen to unrivalled power, exploiting the Otherworld's most precious resources for their own gain. Estevan seeks to uncover their secrets, but he risks the exposu...

Sam Shepard

'Set in a desolate motel room on the edge of the Mojave desert, the play has something of the timeless universality of a Greek tragedy . . . Like ancient classical drama, too, the action is at once brief and relentless. By the end of the 90-minute play you feel you have lived through a cataclysm . . . This is a tremendous play, bleak but savagely funny, apparently naturalistic ...